"You Can See Everything" continues to power through the box office, reaching $80 million in North America after just four weekends in theaters. At its current pace, A24's documentary about Theranos fraudster Elizabeth Holmes is positioned to surpass $100 million domestically, a striking milestone for a nonfiction film that runs nearly three hours.

Over the weekend, the film collected $8.8 million from 2,473 theaters in its fourth frame, a modest decline of only 23 percent. It now ranks as the second highest grossing non-music documentary ever in North America, ahead of 2005's "March of the Penguins" ($77 million) and behind Michael Moore's "Fahrenheit 9/11" ($119 million).

The film has yet to open internationally, with a staggered overseas rollout set to begin at the end of November. It will need to resonate with foreign audiences to challenge the genre's worldwide records. "Fahrenheit 9/11" stands as the biggest documentary in history with $103 million overseas and $222 million globally, followed by "March of the Penguins" with $49 million overseas and $127 million globally.

"'You Can See Everything' has really broken the rules of how a documentary can perform at the box office," said Paul Dergarabedian, Rentrak's head of marketplace trends. "It has defied box office gravity week after week and clearly captured the imagination of audiences."

Following a surprise world premiere at the Telluride Film Festival, the film became a word of mouth sensation, lifted by some of the best reviews of the year. Since opening to $15 million in mid October, it has kept packing in crowds, with many viewers returning to theaters to process and unpack the stranger than fiction story. Directed by Nathan Fielder and Lance Oppenheim, the documentary unfolds over three years and begins as Holmes, the founder of the health technology company Theranos, prepares for her 11-year prison sentence for defrauding investors.

The turnout is especially notable given how much screen time Holmes has already received. Her rise and dramatic fall were dramatized in the Hulu series "The Dropout," starring Amanda Seyfried, and examined in Alex Gibney's "The Inventor: Out for Blood in Silicon Valley." The secrecy surrounding the project, which nobody knew about until roughly a month before it landed in theaters, dialed up anticipation. Its popularity also speaks to the commercial appeal of Fielder, a master of cringe comedy known for blending reality and fiction on HBO's "The Rehearsal" and Comedy Central's "Nathan For You." Moviegoers were intrigued to witness the awkward dynamic between him and Holmes.

The unlikely box office powerhouse has even outgrossed several major fall releases, including Oppenheim's "Primetime," a frenetic drama starring Robert Pattinson as "To Catch a Predator" host Chris Hansen ($46 million to date), DC's comic book adventure "Clayface" ($56 million to date), Brad Pitt's survival thriller "Heart of the Beast" ($67 million) and the Colleen Hoover adaptation "Verity," led by Anne Hathaway and Dakota Johnson ($75 million). All of those movies were backed by months-long, multimillion-dollar marketing campaigns.

For A24, "You Can See Everything" now stands as the indie studio's third biggest domestic release ever, surpassing 2022's "Everything Everywhere All at Once" ($77 million) and trailing only this summer's "Backrooms" ($197 million) and 2025's "Marty Supreme" ($96 million). With a production budget of just $7 million, it is also set to be hugely profitable.